![]() However, by Act III, Scene 2, Macbeth has resolved himself into a far more stereotypical villain and asserts his manliness over that of his wife. Macbeth is at his most human and sympathetic when his manliness is mocked and demeaned by his wife (see in particular Act I, Scene 7). When he is about to commit the murder, he undergoes terrible pangs of conscience. When Duncan announces that he intends the kingdom to pass to his son, Macbeth appears frustrated.
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